COMSMET

nock-nock-nock:

能年 玲奈

nock-nock-nock:

能年 玲奈

(Source: pbs.twimg.com, via noriichi)

(via chikkoi)

ddnjapan:

2016年「トレイン・スポッティング2」がついに始動!! ダニー・ボイルが内容を明かす http://bit.ly/ZC19dV

ddnjapan:

2016年「トレイン・スポッティング2」がついに始動!! ダニー・ボイルが内容を明かす http://bit.ly/ZC19dV

(via noriichi)

(Source: david, via tansannsui)

myampgoesto11:

 Anila Quayyum Agha: Intersections 

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here

via Colossal
myampgoesto11:

 Anila Quayyum Agha: Intersections 

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here

via Colossal
Camera:Canon EOS 5D Aperture:f/8 Exposure:1/4th Focal Length:24mm
myampgoesto11:

 Anila Quayyum Agha: Intersections 

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here

via Colossal
myampgoesto11:

 Anila Quayyum Agha: Intersections 

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here

via Colossal
Camera:Canon EOS 5D Aperture:f/8 Exposure:1/4th Focal Length:24mm

myampgoesto11:

 Anila Quayyum Agha: Intersections 

Created by mixed media artist Anila Quayyum Agha, this elaborately carved cube with an embedded light source projects a dazzling pattern of shadows onto the surrounding gallery walls. Titled Intersections, the installation is made from large panels of laser-cut wood meant to emulate the geometrical patters found in Islamic sacred spaces. Agha shares:

The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. I have given substance to this mutualism with the installation project exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewer’s presence with in a public space.

Intersections is currently a finalist in the 3rd Annual See.Me: Year in Review Competition, and you can learn more about it here

via Colossal

(via tansannsui)

(Source: chrisozer, via scrap87)

rock-the-baby:

Amazing Beats with Pens (by 73368)

用意するものはボールペン2本だけ!お手軽さだけなら右に出るモノは居ないペンビートの神動画!パっと見だと簡単に出来そうなんだけど実は非常にムズかしい。それにしてもスゴいリズム感だなぁ。

http://www.kami-douga.com/inside/waza/4046000320.html

(via noriichi)

nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優

nock-nock-nock:

蒼井 優

(Source: douban.com, via wonderthinkanswer)

nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優 nock-nock-nock:

蒼井 優

nock-nock-nock:

蒼井 優

(Source: douban.com, via wonderthinkanswer)

woodendreams:

Inca Trail, Peru (by kurtgordon)

woodendreams:

Inca Trail, Peru (by kurtgordon)

(via hishochi)

Aperture:f/5 Exposure:1/2th Focal Length:24mm
thatsbutterbaby:



Steve Belz, ‘Hold It’,  ceramic, copper wire & steel.

thatsbutterbaby:

Steve Belz, ‘Hold It’,  ceramic, copper wire & steel.

(via bibidebabideboo)

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    (via miyanaga)